Listening to students in Choir makes me want to sing — sometimes just because it's difficult not to sing along, and sometimes with the desire to correct them by example. My mind is a whirlwind of ways to tell/explain/show them what to do to improve, but it's almost always not the right moment to jump in and do so.
The Theory kids learned what music is today! I think they had half as much fun as I did coming up with definitions of music and then listening to me play exceptions. They also called me "crazy" and "weird" a lot...even before I told them that the recording of 4'33" was of my own performance. It's a good thing I'm used to that — thanks, friends!
Without going into any portions of my socratic dialogue with the students, I would love to hear from readers which of the following selections does not qualify as music. You earn extra points if you give a reason why.
Musical examples I played today:
1. Sagaba - Blue Scholars (iTunes)
2. Resource (from Koyaanisqatsi - Philip Glass) (iTunes)
3. Pretty - Katie Makkai (YouTube (full version))
4. Phel-den La-mo - Guyoto Monks (iTunes (the group, not the specific song))
5. An alarm clock
6. 4'33" (John Cage) - Myself and pianist Mrs. D (not my co-op)
7. A sample from the CD that accompanies our workbook
Music i had prepared but didn't have the time or need to play:
1. Three Quarter-Tone Pieces: II Allegro (Charles Ives) - Cheryl Seltzer and Joel Sachs (iTunes)
2. Poème Électronique - Edgard Varèse (iTunes)
3. Toxic (Dennis, Jonback, Karlsson, and Winnberg) - Britney Spears (iTunes)
4. The "Empire Today" jingle
5. A Gamelan piece (YouTube)
6. A Joik sung by a Sami (YouTube)
7. Gregorian Mass for Christmas Day, Introit, Puer natus est nobis
We were cursed by out-of-tune guitars in GM today. We spent a good portion of the first class letting them practice as we wandered around to tune everyone's guitars by ear. That wasn't good enough, our ears were still miserable every time more than one guitar tried strumming the same chord. We then spent a significant portion of the second class tuning every guitar by the piano. Now we're about 80% satisfied. It's bearable.
A GM student said "I saw Mr. Inman on Saturday! With a girl!" Mrs. D said to me in front of the class, "You have no private life anymore." Yes, as my friend and I were getting pizza 45 minutes away from where I teach, I was being pointed out to a father. I need to start dressing nicer on weekends.
There's this junky old bicycle that has been painted orange and sitting in the choir room all year. We stuffed it into a small connected room and have been tripping over it all the time. It turns out this was an item found by the marching band percussion section, who then painted it and left it in their summer practice room (the choir room). Mrs. D joked this morning that we should get rid of it. Near the end of the day Mr. H, the band director, walked in for something and I said, "Oh, hi! I have something for you," walked into that room and returned with the bike. I handed it to him with a grin and he begrudgingly took it and walked out, mumbling something about his percussion section. The look on Mrs. D's face was a priceless expression of shock, and this event had us laughing for the rest of the day. I have a feeling she'll be telling that story for a long time.
I can't believe I got away with that.
Showing posts with label ives. Show all posts
Showing posts with label ives. Show all posts
Monday, September 13, 2010
Wednesday, September 8, 2010
9/8
In choir, I regularly experience this feeling of "oh no, I have so much I want to tell these students about how to sing, how will I ever express it all?" I'm not disappointed that I have a good knowledge of vocal production, but I'm learning that there will likely be a career-long frustration about not being able to pass on everything that I want to. Hearing some students sing individually reminds me of the balance that I'll have to find between expectations and reality.
I had a great time in theory playing Ives for the class and seeing their reactions. It's a piece for two pianos, one of which is tuned a quarter-step high.
Three Quarter-Tone Pieces: II Allegro (Charles Ives) - Cheryl Seltzer and Joel Sachs (iTunes)
Three Quarter-Tone Pieces: II Allegro (Charles Ives) - Cheryl Seltzer and Joel Sachs (iTunes)
Every GM section was consistently chatty, and though Mrs. D blamed it on some testing they had just completed, I'm thinking that I need to define some sort of ritualistic method of gathering attention. I tried various things with the sections today, but I just really want to avoid any of the juvenile hand-clapping or arm-raising techniques.
I have a confession to make. I've fallen victim to favoritism. There's a girl in the 3rd section of GM who is also in Mrs. D's "club" (I haven't explained that yet; at the end of certain days, students go to clubs that do activities. Mrs. D's club is for crossword puzzles) who is now my favorite student. During club, we were convinced to play some pop radio station and Lady GaGa was playing at one point. During that song, I thought I would be funny and turned around (from grading) to say "Who is this?" When I did so, this girl, who was the only one to hear me, turned around and shrugged her shoulders, genuinely having no idea who was singing. I was so proud.
Labels:
choir,
club,
expectations,
favoritism,
gaga,
general music,
ives,
theory
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